ALGOMECH 2016


Simon Blackmore

Simon Blackmore makes performative sculptures and installations using sound and custom-made technology. Since gaining a First Class Honours degree in Sculpture at The University of Wales Institute, Cardiff in 1999, and an MA in Creative Technology at Salford University in 2001, he has received numerous commissions and exhibited in galleries Internationally.

In 2006 he was nominated for the Becks Futures Prize, he was artist in residence in Universidad de Los Andes, Bogota, Colombia in 2007, and in 2008 he was awarded the Berwick Gymnasium Fellowship. In September 2013 his work was presented in a solo show at Aldrich Contemporary Art Museum, Ridgefield, USA.

He is also a founding member of the art group Owl Project. Known for their distinctive range of wooden musical and sculptural instruments.

In 2012 their project ~Flow was launched in Newcastle and attracted over 50,000 visitors. Owl project have performed and exhibited internationally, including performances at Les Urbaines Festival (Lausanne, Switzerland), SARC, (Belfast, Ireland) 2009, and a solo show at Lydgalleriet, (Bergen, Norway) 2008. Their work was presented in a solo show at Bildmuseet, Umeå, Sweden in August 2013. They are currently developing a permanent installation for Bradford Media information.

He is currently doing a PhD in at Oxford Brookes and a Lecturer in Fine Art at Liverpool Hope University.

http://simonblackmore.net
Twitter: @simonblackmore_

Clapping a Sine Wave by Simon Blackmore

A new piece using a computer interface limited to a binary input, where sound = 1 and silence = 0. During a 12 minute performance, Simon will attempt to clap out the binary information to produce a digital sine wave. As the binary rhythms shift phase to create the necessary samples, the sine wave will emerge from clipped noise to pure tone. From analog clapping, to binary code, to digital wave form to analogue sound, the audience will be confronted with a layering of symbols, signals and noise that try to make sense of our relationship to computer music production.

Appearing at:

Crafting sound (II)

Millennium Gallery
7:30pm-9:30pm, 13 Nov. 2016
£6 OTD, or free to crafting sound (I) and symposium attendees

Crafting Sound continues for the second evening, with performances feeding sounds from Sheffield into self-made, archaic systems and machinery, audiovisual live coding with sonic pi, dance choreographed by live coded JavaScript, and the physical clapping out of binary code to build a pure sine wave.

 


Tim Shaw and John Bowers

Joana Chicau

Ryan Kirkbride

Tom Mudd

Simon Blackmore